Picturing Justice, the On-Line Journal of Law and Popular Culture


Carrie Menkel-Meadow
is Professor of Law, Georgetown University Law Center. She is the author of "Legal Ethics in Popular Culture," forthcoming in the UCLA Law Review's Law and Popular Culture Symposium (Vol. 48, #6).

 

 

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Paul Joseph
John Denvir
Michael Asimow
Paul Bergman
Lawrence Friedman
John Owens
Taunya Lovell Banks
Lawrence Friedman
David Papke

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Some of us old enough to remember it will find this classic "fish out of water"tale a great send-up of eastern snobbery.

 

 

 

 

 

 

The real send-up of the movie was the classic trial scene denouement as Witherspoon's clever character, Elle (the ur-"she-woman") slowly unravels, Perry Mason-like, the real killer with her detailed knowledge of female cosmetics.


Feature article

WEST MEETS EAST IN LEGALLY BLONDE
by Carrie Menkel-Meadow


The brilliantly titled Legally Blonde does more than turn those old "blond" jokes around. It is also a brilliant satire of the closed culture of the Eastern establishment. As Reese Witherspoon's seemingly "dumb and dumber" character leaves her CULA (not really my old university, UCLA) sorority house to attend Harvard Law School and snag her preppie boyfriend back from the clutches of Eastern propriety and snobbery, she teaches the audience a few things about some less common bigotries.

First, blonds are not all stupid, even if they come to class in leather and carry small dogs with them. Second, by studying hard, even a blond LA valley girl obsessed with clothes can master the LSAT (the only part of the film that seemed really fictional to me). Third, diversity means diversity! If we want diversity in education we have to look for it in lots of strange places. Fourth, common sense can sometimes win out, even in a convoluted Socratic class. Fifth, and least surprising, working class people are nicer than Ivy league snobs and take care of each other. Sixth, girls do bond, even across geographic and class lines and Seventh, and most importantly, a good trial lawyer must do her fact investigation.

With many characters "ripped from the headlines," like the Harvard law professor with a criminal defense practice run out of a private law firm (a more dashing Alan Dershowitz), who is also a sexual harasser, the younger second wife accused of murdering her husband for the money (Anna Nicole Smith, anyone?) and the tough Socratic law professor now in female drag (a nice twist on the old Kingsfield theme) who turns out to have a heart of gold (played winningly by our feckless female judge from The Practice, the characters are as familiar as a Bugs Bunny cartoon, but far more hilarious. Whether seen as a "girl bonding movie" as one of my colleagues described it, or a corrective to the seriousness of ONE L, this movie had this transplanted east and west coast law professor (visiting at Harvard Law School as it opened) in stitches. Yes, the portrayal of the Harvard law students as brunette, earnest, cut-throat, preppie and clannish was probably a bit over the top (my Harvard students were unbelievably kind to each other and very geographically and ethnically diverse), but it was true in an earlier Harvard era and some of us old enough to remember it will find this classic "fish out of water"tale a great send-up of eastern snobbery. As one who has taught at the real UCLA and the real Harvard (the Harvard of the film is actually USC's campus), this tale of the clash of two cultures was uncommonly funny and I bet will ring true in a strange way to transplanted students of either coast or anywhere in between who seek their educations in faraway domains and encounter regional, educational, racial, ethnic, gender, life style or hair color discrimination. In other words, serious schools -get a life! Law students really do come from all walks of life these days and if they seem a bit ditzy, just get over it! You can't tell the strength of a brain from hair color. (Can't judge a book by its cover, did you all get that?) I learned that lesson myself from my smart and blond "surfer boys" at UCLA Law.

For me, the real send-up of the movie was the classic trial scene denouement as Witherspoon's clever character, Elle (the ur-"she-woman") slowly unravels, Perry Mason-like, the real killer with her detailed knowledge of female cosmetics. Moral of the story, boys? Facts really matter and good trial lawyers will come from all walks of life as they know or master the facts of the witnesses they must "break down" or the clients with whom they must empathize. (Elle does both, beautifully!)

Though the movie will seem derivative to fans of Clueless, the ultimate Ur-LA movie, more legally inclined viewers should be able to both laugh and see the more important real human messages in this film. Women's stuff matters (relationships, facts, being treated like a functioning human being no matter what one looks like, including respect). Discrimination comes in many forms. But most important, to this old trial veteran and professor, the light and funny movie actually demonstrates the importance of hard work and fact investigation. For the astute, you will see the seemingly one-track-minded Elle demonstrate her intellectual prowess over her own domain early on-she knows her fabrics! And think about how many murders turn on fiber analysis! For at least this viewer, and former and proud LA resident, I will be more careful of my regional and hair color prejudices, as should we all. If you are a law student, law professor, resident of the west coast or east, go see this movie and learn something as you laugh at yourself!

Posted: August 31, 2001

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