Picturing Justice, the On-Line Journal of Law and Popular Culture



John Denvir

 

 

 

Read other reviews:

Michael Asimow
David Papke

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Boston Legal
Deadwood

 

 

 

It makes perfectly good sense at this point in our national history to use arrogant, narcissistic, white male lawyers as representatives of our arrogant, narcissistic, white male-dominated political culture.

 

 


Feature article

The Last Lawyer Show

by John Denvir

David Kelley has run the dramatic gauntlet; first the legal melodramas L.A. Law and The Practice, then the ironic Ally McBeal, now (as David Papke insightfully points out) the satirical Boston Legal. I think Boston Legal is Kelley's last lawyer show; after all, what's left to be done?

I like the basic premise of the show. Law has always been is the symbolic cement that bonds America's diverse society and lawyers have always been the self-appointed guardians of our national political culture; it makes perfectly good sense at this point in our national history to use arrogant, narcissistic, white male lawyers as representatives of our arrogant, narcissistic, white male-dominated political culture. When you think about it, Dick Chaney and Denny Crane are made for each other.

My problem with the show is not that portrays lawyers negatively, but that it doesn't portray them negatively enough to accomplish its satirical goals. Kelley always pulls his dramatic punches, softening the images of Denny Crane and Allen Shore in order to make them more palatable to the mass audience television pursues. Therefore, in each episode we are given a glimpse of a more "human" side of Crane and/or Shore. We are asked to empathize with Crane for his incipient dementia or with Shore for his occasional endorsement of liberal principles like freedom of speech or opposition to the death penalty. Unfortunately all this does is take the edge off the satire.

What I like most about the show is Kelley's weekly video op-ed on some current political issue of the day. One week we heard a thoroughly one-sided presentation of the evils of red meat, another a blistering commentary on the State of Texas' penchant for state-sanctioned murder. Of course, I probably like these political interventions because I sympathize with the views presented, but I also find it reassuring to know that Fox News is not the only outlet for political theatre on television.

I also think that Boston Legal will be Kelley's last lawyer show because I don't think that ABC is going to continue to subsidize his political commercials. So what's next? I think we need a "no lawyer" show. Luckily, we have one. It's called Deadwood and I think it best "law" show yet. Deadwood is a mining camp in the Dakotas where David Milch has set his HBO drama. Once the viewer gets by the profanity ( historically accurate according to Milch) we can see Deadwood as a story about the birth of law. The denizens of Deadwood would deny this description; they prefer to see their lives as 'lawless." But the demands of commerce and the human instinct towards community soon begin to undermine this pretence to a society without law. Human beings need both order and justice, although the concrete design of the institutions chosen to accomplish these goals is always controversial. By the end of the first season of Deadwood, we have not only a sheriff, fire commissioner, and a public health officer, but also a hospice. Most tellingly, in the first year's last episode (available on DVD) the show's most determined opponent of law, Al Swearingen, performs a community-endorsed mercy killing that would make Clint Eastwood proud. And they do it all without lawyers. Maybe there's a lesson there.


Posted April 1, 2005

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