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Michael Asimow
Michael Asimow, of UCLA Law School, is co-author with Paul Bergman of Reel Justice: The Courtroom Goes to the Movies (1996), available at local bookstores or through amazon.com.

 

 

 

 

 

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So what's with Grisham, anyway? He seems to hate lawyers, particularly if they are trying to make a living practicing law.
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I woke up from my horrible dream in a cold sweat, relieved that I wouldn't have to hang out with the scummy Grisham lawyers after all.
 
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ANALYZE THIS! JOHN GRISHAM'S LAWYERS FORM A MEGAFIRM   By Michael Asimow

 

Last night I dreamed that I was in a big conference room with all of the lawyers from John Grisham's novels and we were trying to form a new law firm. It looks like we've got most of the bases covered.

For our tax department, we'll pick up the terrific lawyers from Bandini, Lambert & Locke, so wellgrisham2.JPG (7773 bytes) described in The Firm. These lawyers are untroubled by any notions of tax ethics; indeed, they won't let our clients pay any taxes at all. Besides, they'll kill anybody who tries to leave the firm. Maybe Mitch McDeere will return with his superb client skills and stolen money. For our personal injury defense practice, we'll pick up the insurance defense lawyers from The Rainmaker and the tobacco defense team from The Runaway Jury. They won't hesitate to commit all manner of discovery abuse and jury tampering. For our real estate department, we'll join up with those swell guys described in The Street Lawyer who never hesitate to throw helpless people out of their homes with fraudulent unlawful detainer actions.

For our personal injury plaintiff's practice, we'll bring back The Rainmaker's Bruiser Stone from his Caribbean siesta. We'll also invite his paralawyer, Deck Shifflet, who taught us so much about the niceties of ambulance chasing. For general business litigation, we've got those lovable fellows from The Partner who think nothing of committing massive fraud on the government and cutting one another out of the fees. This is the kind of get up and go we can really use.

And now--we've got a probate department! The lawyers from Grisham's newest book Testament, are vicious sharks. They know how to boost the hourly rates (as high as $600 per hour) and they think nothing of paying a key witness to testify falsely.

Of course, a few of Grisham's lawyers won't be welcome in our new firm. We're inviting them to leave the conference room now. For example, Rudy Baylor of The Rainmaker is too idealistic. But after all, this chump was straight out of law school and didn't know how to practice real law. I don't think there'll be room for Darby Shaw whom we met as a law student in The Pelican Brief. Darby just won't play along with normal strategy in environmental cases like assassinating inconvenient Supreme Court justices or law professors. Besides, Rudy has left the practice and Darby never finished law school. Neither did Nicholas, the resourceful jury fixer in The Runaway Jury. Ellen Roark from A Time to Kill is probably done with law school by now, but she seems to believe in justice, so has no place in our new firm.

There will be no room in this law firm for lawyers who want to work for nothing. So tell Reggie Love to forget about joining. After all, in The Client, Reggie represented this kid without getting paid. And so long Adam Hall; you wasted many billable hours trying to get your granddad off Death Row The Chambe and didn't get paid a dime. We certainly won't welcome those fools in The Street Lawyer who work for peanuts for homeless people. None of that sort of pro bono nonsense in our new firm! I don't think Jake Brigance from A Time to Kill will be interested (he actually cares about his clients and works without a retainer), though his buddies Harry Rex Vonner and Lucien Wilbanks would fit right in. In fact, Harry Rex might be just perfect for the head of our family law department.

So what's with Grisham, anyway? He seems to hate lawyers, particularly if they are trying to make a living practicing law. In book after book, practicing lawyers are horrible, greedy slime-sucking crooks. Often, they get outfoxed by Grisham's heroes who tend to be lawyers who are working for little or nothing, or by untainted law students or fledgling associates. While this theme seems to resonate nicely with the book-buying, lawyer-hating public, it has worn very thin with me.

Grisham's first book , A Time to Kill, was quite good. The second, The Firm, wasn't bad (although it lacked an ending). After the smashing success of The Firm, Grisham kept right on churning out bestsellers, but they seem hastily dashed off. The plots are thin (really more like movie concepts). Their unidimensional characters mouth cardboard dialogue.

The newly released Testament reads like a screenplay in progress tricked up as a novel. It concerns a cranky billionaire who hates his six children (with much justification). He executes a holographic will cutting them off just before diving out the window. The will leaves his fortune to a previously unknown illegitimate daughter who is a missionary in Brazil. The legitimate kids hire lawyers to contest the will. The lawyers (and their clients) are as nasty a group of hyenas as have ever appeared between hard covers. An attorney with severe alcohol problems sets out to find the missing heir and has adventures in Brazil. That's about it. Save your money.

Now a will contest, featuring spoiled rotten children represented by greedy lawyers, can make for a wonderful book. Witness David Margolick's Undue Influence about the Seward Johnson donnybrook, a book with infinitely greater nuance, better plot, and far more interesting characters than Grisham's Testament.

I woke up from my horrible dream in a cold sweat, relieved that I wouldn't have to hang out with the scummy Grisham lawyers after all. Most of the lawyers I know are decent, hard working, community-minded people, who care deeply about their clients. Most make a good but not spectacular living practicing a tough profession in a harsh, competitive environment. They are neither demons nor saints. Unfortunately, they have no place in John Grisham's world.

Motion Pictures:
  • The Firm. Dir. Sydney Pollack. Paramount Pictures, 1993. Based on the novel.
  • The Pelican Brief. Dir. Alan J. Pakula. Warner Bros., 1993. Based on the novel.
  • The Client. Dir. Joel Schumacher. Warner Bros., 1994. Based on the Novel.
  • The Chamber. Dir. James Foley. Universal Pictures, 1996. Based on the novel.
  • A Time to Kill. Dir. Joel Schumacher. Warner Bros., 1996. Based on the novel.
  • The Rainmaker. Dir. Francis Coppola. Constellation Films, 1997. Based on the novel.
  • The Gingerbread Man. Story by John Grisham. Dir. Robert Altman. Enchanter Entertainment, 1998.
Television Shows:
  • The Client. 1995-96. Based on the novel and movie.

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