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John Denvir, who teaches constitutional law at USF Law School, is editor of Legal Reelism: Movies as Legal Texts, available at local bookstores or through amazon.com.

 

 

 

 

 


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... one student said she suddenly wasn’t so sure she wanted to be a lawyer; it was all so "devious."

 

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But maybe good lawyers have to be a little schizophrenic. I see that as part of the nobility of the profession. The goal of the practice of law should be to wield power effectively towards the goal of justice.

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A Second Look at Erin Brockovich
 by John Denvir
Last month I was invited to talk at an undergraduate pre-law class. I decided to show a series of clips from "lawyer" films. After watching Howard Duff browbeat a witness in Kramer v. Kramer and then James Mason script a witness’ testimony in The Verdict,erin-1.JPG (23295 bytes) one student said she suddenly wasn’t so sure she wanted to be a lawyer; it was all so "devious." I don’t like to think of myself as being in the business of discouraging applications to law school.
That experience started me thinking about "positive" images of lawyers available in film. There aren’t many. Film often paints lawyers as vultures or fools. Even a heroic lawyer like James Woods in True Believer is shown to be an extremely neurotic, very incomplete human being. I guess we can always fall back on Atticus Finch in To Kill a Mockingbird, but that’s long ago and far away.
I would like to suggest a candidate for the model of a "good" lawyer, both in the craft and personal sense--a lawyer who illustrates how nice, fairly normal, people can use law to help reform "society" and earn a decent living at the same time. My candidate is actually a composite of two characters in Erin Brockovich, a fusion of the strong points of both Erin herself (Julia Roberts) and Ed Masry (Albert Finney ). Together, Erin and Ed ("Edrin") make a great lawyer; but only together.
It’s easy to see Erin’s virtues. She has the passion and anger at injustice necessary to achieve results in a society stacked against the underdog. But passion and anger are not enough to win, as her sorry job history, until she works for Ed, demonstrates all too convincingly. You also need judgment and discretion, qualities which her boss Ed Masry was able to provide. He keeps bringing her back to reality, reminding her that the practice of law in the long run cannot just be a quest for justice; it must also provide a means of earning a living. And it’s always a mistake to underestimate your adversaries, especially when they have billions of dollars in assets to use in their defense.
erin-2.JPG (27739 bytes)It would be grossly unfair to conclude that passion is Erin’s only asset. Despite her professed aversion for lawyers ("I hate lawyers!"), for me she incarnates many of the skills a lawyer needs to make a case go. As Erin tells us in the beginning of the film, she is "good with people." That’s a lawyerly skill just as important as legal research. Her ability to relate to the clients’ pain sets up the dynamic which allows the lawsuit against the giant utility to get off the ground. Plus her subtle flirting with a young male clerk gains her the access to evidence she needs to prove the case. She also finds time to teach her elitist boss. When a client is nice enough to bake a cake, you find time to eat it with them.
Yet Masry has more virtues than discretion and moderation. He shows an uncanny flair for leadership which I (see my review of Election) define as the ability to channel colleagues’ neuroses into productive channels. Although other employers fired the hot-tempered Erin; Masry gives her the space to become a star. Masry also has that rare ability to know his own limitations; he admits the case is too "big" for him, but then associates a lawyer whose stature the utility will respect. Despite his genial elitism towards clients, he does teach Erin few lessons about getting along with colleagues.
Some might find it disconcerting that I feel it necessary pick a composite for my "compleat" lawyer. But maybe good lawyers have to be a little schizophrenic. I see that as part of the nobility of the profession. The goal of the practice of law should be to wield power effectively towards the goal of justice. To achieve that goal entails a mastery of a wide variety of skills which require intelligence, sensitivity, and courage. And while I hope that my film clips didn’t discourage my undergraduate interlocutor from applying to law school, she will have to learn that the capacity to be a little devious at times is one of those skills.
 
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 Related Picturing Justice Articles

Personal Politics - Election by John Denvir

The Music of Inner Justice in Ally McBeal: by Chris Jackson 

Don't Call Me Ally by Lisa Friedman

 

 

 
 

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